I Taut I Taw A Puddy-Tat - 1950

Dr. Pitt-Payne in London UK - 03 Sept 2001

There is a little tiny bird,
his name is 'Tweety Pie!'
He lives inside a birdcage,
ahanging 'way up high.
He likes to sit upon his perch,
so happy and so gay,
but when a cat come after him
you'll always hear him say:

I taut I taw a PuddyTat
acreepin' up on me.
I did, I Taw a PuddyTat
as plain as he could be.
I taut I taw a PuddyTat
acreepin' up on me.
I did, I Taw a PuddyTat
as plain as he could be.

There is a great big bad old cat,
Sylvester is his name,
he only has one aim in life
and that is very plain.
He dreams of catching Tweety Pie
and eating him one day,
but just as he gets close enough,
Tweety gets away.

I taut I taw a PuddyTat
acreepin' up on me.
I did, I Taw a PuddyTat
as plain as he could be.
I taut I taw a PuddyTat
acreepin' up on me.
I did, I Taw a PuddyTat
as plain as he could be.

Tweety sometimes takes a walk
and goes outside his cage,
but he gets back before the cat
and throws him in a rage.
Sylvester'd love to eat that bird
if he could just get near,
but ev'ry time that he comes by,
this is all he'll hear.

I taut I taw a PuddyTat
acreepin' up on me.
I did, I Taw a PuddyTat
as plain as he could be.
I taut I taw a PuddyTat
acreepin' up on me.
I did, I Taw a PuddyTat
as plain as he could be.

And when he sings that little song,
his mistress knows he's home,
she grabs her broom and brings it down
upon Sylvester's dome.
So there's no need of worrying,
he lives just like a king,
and Puddy Tats can't hurt that bird
as long as he can sing:

I taut I taw a PuddyTat
acreepin' up on me.
I did, I Taw a PuddyTat
as plain as he could be.
I taut I taw a PuddyTat
acreepin' up on me.
I did, I Taw a PuddyTat
as plain as he could be.

Soft karaoke
Words
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treble clef 2
lyric line
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Lyric Line
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I Taut I Taw A Puddy-Tat 1950

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I Taut I Taw A Puddy-Tat 1950
by Alan Livingstone and Billy May
© MCML Remick Music Corp., New York
sequenced for Piano by
Dr. Pitt-Payne in London UK
on Monday 03 Sept 2001 at 12.09
in association with Doug Grierson
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© James Pitt-Payne, London UK, 2001
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