How Can You Look So Good 1925

James Pitt-Payne, London UK - 25 Apr 2004

Say there, something's new to me,
Hey there, what'd ya do to me
I thought you were the best,
but you're just like all the rest.
Some girls look so naughty,
some girls look so shy,
but you look sweet
and act so naughty
and here's the reason why I'm asking

How can you look so good
and still be so doggone bad?
Why should your eyes be
so darn full of lies?
On the level you're a devil,
you look so bashful and shy,
but you only use your looks
for an alibi,
Oh! How can you look so good
and still be so doggone bad
naughty mama,
and still be so doggone bad?

Say how can you look so good
and still be so doggone bad?
Why should your eyes be
so darn full of lies?
On the level you're a devil,
you look so bashful and shy,
but you only use your looks
for an alibi,
Oh! How can you look so good
and still be so doggone bad
naughty mama,
and still be so doggone bad?

You know, that you fool 'em all,
I know that it's just a stall
tho' you act like a saint,
still a saint's just what you ain't.
Good girls put the "dog" on,
that makes bad girls mad,
but doggone you,
you put the "dog" on
and you're not good,
you're bad. Oh! Tell me

How can you look so good
and still be so doggone bad?
Why should your eyes be
so darn full of lies?
On the level you're a devil,
you look so bashful and shy,
but you only use your looks
for an alibi,
Oh! How can you look so good
and still be so doggone bad
naughty mama,
and still be so doggone bad?

Say how can you look so good
and still be so doggone bad?
Why should your eyes be
so darn full of lies?
On the level you're a devil,
you look so bashful and shy,
but you only use your looks
for an alibi,
Oh! How can you look so good
and still be so doggone bad
naughty mama,
and still be so doggone bad?

Soft karaoke
Words
banjo
jazz guit
accordion
syn str 1
lyric
syn brass 1
drum
pizz
tymp
harp
piano
calliope
voice
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How Can You Look So Good 1925
by Chick Endor
© MCMXXV by Shapiro, Bernstein & Co.Inc.  New York
*
sequence and karaoke by James Pitt-Payne, London UK
on Sunday 25 April 2004 at 21.09
in association with Doug Grierson
*